What are the advantages of breaking from NY. So far I've had half-a-dozen #1 NY Times bestselling authors email or speak privately with me about how digital publishing works. ![]() We'd started at 40% of gross and felt that was too low. ![]() We unilaterally raised our royalty rates at Cool Gus Publishing because we felt it was fair. If I could have thousands of authors clamoring at the gates to get published, I'd lowball too. Second, pretty much all legacy contracts suck with regard to reversion and eBook royalty rates. They are worse than the business standard. She said they were standard in the business.įirst, that's not true. ![]() ![]() And an editor from HQ actually confronted me later, demanding to know if I was Bob Mayer and if I had something negative about HQ. I made a comment in San Diego that Harlequin was the Darth Vader of publishing.
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